Despite still being (technically) job-less, I am keeping busy and have explored different routes this week. In fact, a couple of people I was speaking to yesterday are self employed and clearly this is the way to go. So this week I have investigated ads online for writing and editing jobs and also puzzles. I submitted a logic puzzle for an online site and the man loved it and paid me actual money! I was quite excited because although it is quite tricky to figure out the clues for the puzzle, it wasn't impossibly hard. So best get on with a few more of those.
The rehearsals for the play are, quite frankly, keeping me buoyant, and I am so glad I decided to give it a go and even more grateful that I have been given a part. I feel it is coming along nicely, although the lead is a bit worried about the amount of lines she has to remember. I think it will all come; the director would not have cast her if he had any doubts. And he is very good as he gives helpful and constructive advice and direction. We all gel as a cast, in my opinion, which helps. Richard has been asking us to think about our characters' back stories, which really helps because you have some motivation for your actions and lines, and your lines begin to take on more meaning so it makes them easier to deliver. It is interesting that the more we rehearse and the more we find out about our characters, the more sense the play makes. The funny lines seem to be funnier and when we watch each other, we are all laughing at the same lines, every time. Which is really encouraging. Some parts are really quite amusing, which I did not pick up on at first. But some people deliver them so well, it is a joy to watch. The strange thing is that you can't see yourself acting, so it is hard to tell how I am doing and I feel that I have lots to improve on. But hopefully this will all come with practice. I watch the others and I learn something about the scene and the process each time, which I find quite exciting. And believe me I haven't been excited about much recently (except fonts and volcanoes).
The play is set in the 70s so that's a good excuse to watch Columbo and Life on Mars isn't it, to research the decade. I have got lots to do: learning my lines, practising sounding tipsy, bitchy and getting in a state. I realise that there is no room for inhibitions or feeling self conscious - and I can feel self conscious quite easily so it will be a real triumph if I can overcome this. For example, you don't usually go round touching people you don't know that well, do you. So if you are in a scene where you have to do this, it doesn't feel natural. My character has to tidy up the clothes, hair etc of her husband, and so I will have to get over that natural English reaction of "oh, excuse me, I'm just going to touch your arm now," because I'm his wife and I don't have to do that. But it is fun and it's a real adventure for me, who knows nothing about the theatre. What's for sure is that there is a real theatre community in Warminster so if I stay involved I will get to know a few people.
Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
Friday, 16 October 2015
Friday, 21 March 2014
Salford Comedy Festival and LS Lowry
I am just back from my trip to Salford for two talks at the Salford Comedy Festival, at the BBC. So now the hard work begins... I have heard lots of good advice on how to write a well-crafted sitcom, who to pitch it to, and what not to do. I went to talks given by a commissioner for the BBC, as well as writers and producers for radio and television comedy. A lot of the advice is common sense, but it sounds as though the same mistakes are made in many of the submissions they receive.
Writing for radio or for children's television is a good way in to comedy writing. It costs less to produce radio shows and you can submit sketches for topical news shows, like Newsjack or That Show What You Wrote. Producers will pick out people who make a good impression, and perhaps contact them to write something further down the line.
Key points to bear in mind when writing a sitcom are to have a well plotted story, with a structure and a decent end, rather than a series of gags. You also need to have well defined characters, who are original and whom the audience cares about, with a character flaw. Plus it has to be funny. So although the task of writing funny shows is not easy, it was good to hear how they encouraged us to submit scripts to the Writers Room, because they are always looking for something new, exciting and original.
I will be looking for inspiration everywhere I go now, and in everything I hear or see. I enjoyed my trip to Manchester/Salford, as it was all new to me. I got the tram from Picadilly right out to Salford Quays. It was fun to float through the streets in the tram, looking at the buildings and people. I had relatives who used to live in Manchester so it was nice to think of them having been there. I loved the trams: they are so clean, efficient and quiet. I saw a couple of people having to step back when the driver tooted at them, because they had not seen or heard the tram coming. We crossed the Manchester Ship Canal - I knew it was that because it was so wide, and I saw Old Trafford (enormous) on the other side of the quays. MediaCityUK has the BBC and some of Salford University. It was modern and nicely set out. I expect it is a pleasant place to work. On the other side of a bridge was ITV, where they film Coronation Street. All very exciting.
The Lowry is also at the quays so I was pleased I had time to visit. The galleries were very well presented. I did not know much about L.S. Lowry, so I watched a short film about him. I disagreed in places with the assumptions of the voiceover, particularly about his private erotic drawings, which the film implied meant he was weird. But these were pre-internet times and I did not see anything too unusal in them. Nor did I like how a journalist had taken photos of the rooms in Lowry's house, after Lowry had died. It felt intrusive and ghoulish. So what if he had pictures of Rosetti's women on his bedroom walls?
His less well known work was also interesting. There were a lot of pencil sketches (he sketched on anything to hand) and some paintings of the sea, which had a white sky and a white sea. A quotation next to it said that Lowry was painting his loneliness, and that also his well known crowd scenes depicted loneliness, as there was no lonelier place than in a crowd. But I am not sure they say this to me: the most famous ones, "Coming from the Mill" and "Going to the Match" were wonderful to stand in front of, letting your eyes roam from figure to figure. "Going to the Match" was particularly good how the figures, pouring towards the ground, led your eye to the same point from several directions. It evoked match day perfectly; I have only been to a couple of games but I remember all the people walking in the same direction and how weird it felt.
Despite having the song "Matchstick Men and Matchstick Cats and Dogs" going round my brain, I did not think the figures were as simplistic as matchstick men. You could tell the era the painting was done from the fashions; in the 20s, women had cloche hats, and in the 60s and 70s you could recognise the modern clothes. I loved the dogs, their simple shapes were comical.
If you are in Salford then I recommend that you visit the Lowry. I am hoping my visit will inspire my comedy writing.
Writing for radio or for children's television is a good way in to comedy writing. It costs less to produce radio shows and you can submit sketches for topical news shows, like Newsjack or That Show What You Wrote. Producers will pick out people who make a good impression, and perhaps contact them to write something further down the line.
Key points to bear in mind when writing a sitcom are to have a well plotted story, with a structure and a decent end, rather than a series of gags. You also need to have well defined characters, who are original and whom the audience cares about, with a character flaw. Plus it has to be funny. So although the task of writing funny shows is not easy, it was good to hear how they encouraged us to submit scripts to the Writers Room, because they are always looking for something new, exciting and original.
I will be looking for inspiration everywhere I go now, and in everything I hear or see. I enjoyed my trip to Manchester/Salford, as it was all new to me. I got the tram from Picadilly right out to Salford Quays. It was fun to float through the streets in the tram, looking at the buildings and people. I had relatives who used to live in Manchester so it was nice to think of them having been there. I loved the trams: they are so clean, efficient and quiet. I saw a couple of people having to step back when the driver tooted at them, because they had not seen or heard the tram coming. We crossed the Manchester Ship Canal - I knew it was that because it was so wide, and I saw Old Trafford (enormous) on the other side of the quays. MediaCityUK has the BBC and some of Salford University. It was modern and nicely set out. I expect it is a pleasant place to work. On the other side of a bridge was ITV, where they film Coronation Street. All very exciting.
The Lowry is also at the quays so I was pleased I had time to visit. The galleries were very well presented. I did not know much about L.S. Lowry, so I watched a short film about him. I disagreed in places with the assumptions of the voiceover, particularly about his private erotic drawings, which the film implied meant he was weird. But these were pre-internet times and I did not see anything too unusal in them. Nor did I like how a journalist had taken photos of the rooms in Lowry's house, after Lowry had died. It felt intrusive and ghoulish. So what if he had pictures of Rosetti's women on his bedroom walls?
His less well known work was also interesting. There were a lot of pencil sketches (he sketched on anything to hand) and some paintings of the sea, which had a white sky and a white sea. A quotation next to it said that Lowry was painting his loneliness, and that also his well known crowd scenes depicted loneliness, as there was no lonelier place than in a crowd. But I am not sure they say this to me: the most famous ones, "Coming from the Mill" and "Going to the Match" were wonderful to stand in front of, letting your eyes roam from figure to figure. "Going to the Match" was particularly good how the figures, pouring towards the ground, led your eye to the same point from several directions. It evoked match day perfectly; I have only been to a couple of games but I remember all the people walking in the same direction and how weird it felt.
Despite having the song "Matchstick Men and Matchstick Cats and Dogs" going round my brain, I did not think the figures were as simplistic as matchstick men. You could tell the era the painting was done from the fashions; in the 20s, women had cloche hats, and in the 60s and 70s you could recognise the modern clothes. I loved the dogs, their simple shapes were comical.
If you are in Salford then I recommend that you visit the Lowry. I am hoping my visit will inspire my comedy writing.
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