It is not usually sunny on a bank holiday weekend, in my recollection, so my sister and I took the opportunity to go back to the area around Cirencester to see some more Norman and Saxon church carvings that we had rated those most worth visiting ("pink" on my sister's thoroughly researched maps). Once laden with the necessary snacks, we went up to Elkstone which is between Gloucester and Cirencester. Elkstone church is well documented for having a large amount of Norman carving, both inside and outside the church. It has all the different features which you could hope to find, namely, carved "beakheads" over the arch of the doorway, sculpted tops to the columns, a tympanum, animal and people heads outside on the walls, and inside, Norman carved arches with zigzags and flowers. We did not really know where to begin.
I was drawn to two dragons' heads that were inside the church, one each side of the first arch. Both were very well preserved, due to their position, and showed rather amusing teeth. I drew the right hand one, rather inaccurately, but it shows the overall character. In front of and behind the altar were two more decorative arches, the far wall having a pleasingly irregular zigzag pattern, and flowers, (with one tiny zigzag and flower squeezed in as if they'd planned wrong), and a detailed face pattern on the ceiling.
Outside, the door reminded us of Siddington (where we could not get into the church), as it had beakheads in a similar but not identical style, with one face having two arms holding the adjacent beaks closed and a double beaked creature. As well as beakheads, there was elaborate carving on seemingly every available column top and arch. In the centre of the arch, in the semi-circular space over the door (the tympanum) was a carving of Jesus or a religious figure, surrounded by animals including a jaunty lamb of God, a bird with some writing, and two more. We drew the lamb of God, as it was too complicated to try to draw any more. The lamb of God had a curiously rounded head which reminded me of a dolphin. Possibly the first "dolphin of God"?
I also liked very much the animal heads and figures on the outside of the church, high up under the roof. They were all different and included a centaur with a bow and arrow, a goat with a beard, a deer with antlers and an animal biting its own tail. There was also one that looked suspiciously like a dinosaur. My sister found the whole place slightly overwhelming, as did I, because there was so much to look at, it was impossible to know where to begin. Sometimes less is more, and simpler things are effective in their simplicity.
We moved on to Stratton, on the outskirts of Cirencester, and once I'd corrected my poor navigation, we found the church and enjoyed our lunch in the peace of the churchyard. As we walked down to the church porchway we had that sense of excited anticipation - what will the carving be like? Will the simple description in Pevsner translate to something quite impressive to behold? (Sorry, now I am using religious language!) I think that one of the enjoyable things is not knowing what the carving will really be like, as sometimes the book has simply failed to describe how unusual or impressive something is. Happily, the tympanum above the door proved to be very unusual, showing a complicated image of weaving lines and who knows what. It was hard to make out what was there, as some is worn, but you can see a spindly legged creature with a person's head, and long claws, next to a coiled serpent, and next to them possibly two more creatures with long legs, and a lot of foliage intertwined. The book said there was supposed to be a "tree of life" but we could not see a definite tree. Beneath the tympanum were what is known as saltire crosses.
Such is the other-worldliness and sense of another time with these places, is it any wonder that we are beginning to associate them with strange things? Last week after our successful trip to Harnhill, I could have sworn blind both myself and my sister had a photo of the dragon. But on further investigation neither of us could find one. Then this week, my sister took some photos in Elkstone and then discovered they were not on her camera. We get so engrossed in the drawing that we strode off down the road before we realised we'd not photographed the tympanum at Stratton and had to go back - much to the annoyance of a poor robin who had been trying to feed her chicks in a nest in the porch and hissed at us to get out of the way.
Our last stop was Daglingworth, west of Cirencester. It dated from Saxon times and had not one but four beautiful Saxon carvings, which were once, astonishingly, built into the church out of sight. I really liked these pictures, as they were done in a simple yet not naive style. One was of Jesus and the two centurions at the crucifixion, one was St Peter with his keys. The figures had interesting details such as their belts, done in a knot shape, and well observed hair and hands. They seemed so pristine. We generally prefer drawing animal shapes to human figures but these were rather impressive.
Another trip fonting took in Berwick St James (some previously unseen criss cross designs above the door), Winterbourne Stoke (a very pleasing font, small but chunky, sadly with the most hideous and out of place but apparently historical Jacobean font cover. We did not include it in our drawings). The archway over the entrance had some nice blob shape designs. We had a disappointing trip to Amesbury, where the priory was closed (what happens if you are religious and seeking solace, or persecuted and seeking sanctuary? Not much good if the church is shut), we stopped to enjoy the clear waters of the Avon where some ducks were having a good time. Some keen walkers strode over the bridge, making it bounce rather uncomfortably. Another example of when people walking seem to think the point is to get from A to B in the quickest possible time, instead of actually looking at what is around them. 
