My Scottish Inspiration

A year ago, when I was getting ready to fly out to Sicily, I had to miss seeing the live show of "Still Game", the wonderful Scottish comedy that was making its return after an absence of many years. I was gutted to miss it, so when I heard that the Burnistoun boys were doing a live show, I promised myself I was not going to miss that for the world. So I didn't - and it was bucking amazing. (See you have to be a fan...)

the sunshine on the Clyde

Yes, it was extravagant to fly to Glasgow and stay the night but why not!? I have long thought that Glasgow sounded nice - vibrant, exciting and with lots going on - since hearing my favourite Scottish comedians talk about their city. Glaswegians seem very proud of their home and rightly so - I was very impressed. Everyone was very friendly, including a woman working in the airport who offered to post some postcards for me.

botanical gardens

I set off on Saturday for Bristol Airport - two bus journeys and a delay of 90 minutes to take-off couldn't keep me from seeing my two Glaswegian favourites, oh no.  When I landed in Glasgow, it was surreal at first hearing everyone speak in the beautiful accents that I am used to only hearing on tv, and I tweeted Robert Florence to say I was a little overwhelmed by this. He favourited the tweet - both he and Iain Connell use Twitter and respond to their fans very often, me included.

George Square

My hotel was very near the theatre. Glasgow is on a grid system so it is not easy to get lost. I had some dinner (Italian, of course) and treated myself to a pre-show drink. I didn't know what to expect because I've never met a Burnistoun fan before (who I haven't converted). I was interested to see they were mostly young. The theatre was packed - I was in the back row of the stalls.  A woman in the interval was amazed to hear I'd come up from Bristol "Good for you!" she kept saying. She had never seen Burnistoun before and was loving it.

The show was wonderful - it was a good mixture of classic and new sketches with everyone's favourite characters, including the Quality Polis (with a wonderful take on "Maria"!); a welcome resurrection of Paul and Walter; Scott and Peter; Biscuity Boyle and of course, squirrel-mad Jolly Boy John.  There was a particularly good sketch with the politicians; the original blue denim jaisket; the now famous lift sketch; and great support from Gerry McLaughlin and Louise Stewart. The audience was laughing continuously and it was amazing to hear everyone shouting out the catchphrases. I realised you can't shout the catchphrases in southern English - it has to sound Glaswegian. There were a few times when I didn't catch what they said - I guess it is a bit easier on telly. But Glaswegian for me is just poetic, it really does add something special to the language and delivery.

down by the Clyde

One of the nicest things was seeing how much they enjoyed performing - they talked to the audience as well. Iain and Robert were in virtually every scene, so there were voiceover sketches between frantic costume changes - they managed it very well. They must have been exhausted following a run of a few nights. I had seen on Twitter that they meet fans after the show - I thought how rude it'd be if I didn't say hello in person, after coming all that way. And there they were, at the stage door, in the flesh. It was so kind of them because there were loads of fans and they looked quite tired, unsurprisingly. When it came to my turn I leaned towards Robert and said, "I thought I'd come and say hello instead of tweeting." He looked at me and was probably thinking, well which one of my followers are you, and so I said my name and he knew then that I had come from Bristol, which was so nice, and they were both really appreciative and he said was it worth it? Of course it was, totally. I got to have a picture taken with them which was great. It was one of those surreal moments that you look at afterwards and think, did that really happen? I don't remember Iain's hand on my shoulder. It means a lot to me because they're both round my age and they've both done some brilliant things - so they are a real inspiration to me. Especially now, when I'm job hunting again. They are wonderful writers and actors, and obviously appreciate their fans. Robert seems to have endless energy and ideas. So to see the show and to meet them gives me energy and inspiration and self belief for the future.

Iain Connell, me, and Robert Florence

One night some years ago, I watched by chance a comedy programme called "Empty", which I really enjoyed. Beautifully written and acted (with Gregor Fisher and Billy Boyd). Later, I just happened to wonder who the writers were. I looked them up, this "Iain Connell and Robert Florence" and saw they'd done something else, "Burnistoun"... and from there to this, to Glasgow... :)

The Kelvingrove Art Gallery and Museum

Next morning, in bright sunshine, I took the Glasgow tour bus around the city from George Square. The tour guide was interesting and amusing and I saw some of the famous landmarks like the cathedral, the necropolis, the big ornate Victorian buildings from when it was a wealthy industrial city, and the futuristic buildings along the banks of the Clyde. I saw the Armadillo and the Hydro (where I should have seen Jack and Victor). I stopped off at the Kelvingrove Art Gallery and Museum for a wander round (visiting Sir Roger the elephant and baby elephant, Kelvin). I was quite excited to see things I recognised from Still Game such as George Square and the River Kelvin.

   

Sir Roger

Glasgow reminded me of Birmingham with the old industrial past and modern rejuvenation. I liked it a lot and I would love to return to explore it some more. Taking off from the airport you could see some pretty hills in the background. So ideally, a job in Glasgow then...

the River Kelvin, which features in one of my favourite episodes of Still Game